One of the great things about books is you can afford to do anything.
George R. R. MartinRead
Catelyn wanted to run to him, to kiss his sweet brow, to wrap him in her arms so tightly that he would never come to harm.
Interpretation
The quote expresses a mother's deep love and desire to protect her child.
In this poignant quote from George R. R. Martin, Catelyn's overwhelming maternal instincts are highlighted as she yearns to physically express her love and safeguarding intentions towards her child. The imagery of wanting to kiss her child's brow and embrace him tightly encapsulates the essence of a mother's deep emotional commitment to her children's safety and well-being, showcasing love's connection with protection.
In practice
In discussing the lengths to which a parent will go for their child, this quote can be shared during a parenting seminar.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: βNot today.
I did not do it. Yet now I wish I had.β He turned to face the hall, that sea of pale faces. βI wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Love is like the lightning, and your maturity is signaled by the extent to which you can accept the dangers and the power and the beauty of love.
If I am perturbed by the reproach and misunderstanding that may follow action taken for the good of souls for whom I must give account; if I cannot commit the matter and go on in peace and in silence, remembering Gethsemane and the cross, then I know nothing of Calvary love.
We had fed the heart on fantasies, The heart's grown brutal from the fare, More substance in our enmities Than in our love
What is better than wisdom? Woman. And what is better than a good woman? Nothing.
The man who partakes in the breaking of the bread dares to build his house on the very core of love. He becomes, as it were, Godlike, but regardless of the strength he derives from it, his free will remains. We are always free to disown this immense grace, to abuse it. The Greatest Love may be betrayed. Fed on the Living Bread, we nevertheless conceal a part of ourselves which longs for swine's food.
You may be a puzzle, but I like the way the parts fit.
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