I realize that some of you may have come in hopes of hearing tips on how to become a professional writer. I say to you, "If you really want to hurt your parents, and you don't have the nerve to be a homosexual, the least you can do is go into the arts. But do not use semicolons. They are transvestite hermaphrodites, standing for absolutely nothing. All they do is show you've been to college.

I've still not written as well as I want to. I want to write so that the reader in Des Moines, Iowa, in Kowloon, China, in Cape Town, South Africa, can say, 'You know, that's the truth. I wasn't there, and I wasn't a six-foot black girl, but that's the truth.'

Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.

A writer's job is to give the reader a larger vision of the world.

I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.

I decided at 40 I was wasting entire chunks of my brain and didn't want to blow my one chance on Earth. I'm glad I made that decision. Writing is largely about time, while visual art is largely about space. Sometimes, as with film, you can hybridize, but I think it's basically the space part of my brain wanting equal footing with the time part.