We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Aretha FranklinRead
I certainly enjoy Usher, Beyonce, Chris Brown, and there is Fantasia; these people will be around a while. They've got it. They've got the 'it' factor.
Interpretation
The quote expresses appreciation for talented artists who have a special quality that ensures their lasting impact.
Aretha Franklin highlights the unique appeal of certain musicians like Usher, Beyonce, Chris Brown, and Fantasia, suggesting that they possess an intangible quality, referred to as the 'it' factor, which will allow them to remain relevant and admired in the music industry for years to come. This speaks to the idea that true talent and charisma can create a lasting legacy in the arts.
In practice
Using this quote in an article discussing the impact of influential artists in modern music.
We didn't have music videos. You weren't an overnight sensation. You had to work at it and learn your craft: how to take care of your voice, how to pace your concerts, all that trial and error.
Trying to grow up is hurting. You make mistakes. You try to learn from them, and when you don't, it hurts even more.
My mentor was Clara Ward of the famous Ward gospel singers of Philadelphia. And my dad was my coach. He coached me. And just my natural love for music is what drove me.
It really is an honor if I can be inspirational to a younger singer or person. It means I've done my job.
In terms of helping people understand and know each other a little better, music is universal - universal and transporting.
Everybody wants respect. In their own way, three-year-olds would like respect, and acknowledgment, in their terms.
What would they say if they knew_x000D_ I sit for two months_x000D_ on six lines of poetry?
Because music, like color, or a cloud, is neither intelligent nor unintelligent - it just is. The chord, the simplest building block for even the tritest, silliest chart song, is a beautiful, perfect, mysterious thing, and when an ill-read, uneducated, uncultured, emotionally illiterate boor puts a couple of them together, he has every chance of creating something wonderful and powerful. All I ask of music is that is sounds good.
You know, the camera is not meant just to show misery.
A director makes only one movie in his life. Then he breaks it into pieces and makes it again.
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
A composer is not only an architect but also an inventor, and he should not build houses in which he cannot live.
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