There's a kind of optimism specifically within Christianity about the world - about whose side God is on. Well, I didn't have any of that in my background. I had physicality and chaos.
Ta-Nehisi CoatesRead
I enjoy the challenge of trying to say things beautifully. The message is secondary in that sense. Obviously, I have something that I want to say that's very, very important to me - but the process of actually crafting it is essential.
Interpretation
Crafting beautiful language is as important as the message itself.
In this quote, Ta-Nehisi Coates emphasizes the significance of the artistic process in communication. He suggests that while conveying an important message is crucial, the challenge and pleasure of expressing that message in a beautifully crafted way is equally essential, highlighting the artistry involved in writing and communication.
In practice
In a creative writing workshop, one might use this quote to encourage fellow writers to focus on the beauty of their language.
There's a kind of optimism specifically within Christianity about the world - about whose side God is on. Well, I didn't have any of that in my background. I had physicality and chaos.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
I never expected my writing to become as popular as it did.
It's hard for me to view Baltimore outside the context of what Baltimore has always been in my mind: a violent place.
If I could have anything - you know, and this is across the board for any presidential candidate - I would have a greater acknowledgment of history in our policy and in our affairs.
You can't make a direct comparison between middle-class African Americans and middle-class white Americans, affluent African Americans and affluent white Americans. The amount of wealth tends to be less.
Storytellers all, we humans might run out of time even as we triumph over the problem of running out of space. But we will never run out of stories.
Music from my fourth year began to be the first of my youthful occupations. Thus early acquainted with the gracious muse who tuned my soul to pure harmonies, I became fond of her, and, as it often seemed to me, she of me.
Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.
A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.
Little Axe's records are wracked with collective grief. Spectral harmonicas resemble howling wolves; echoes linger like wounds that will never heal; the voices of the living harmonise with the voices of the dead in songs thick with reproach, recrimination and the hunger for redemption.
I think the mystery of art lies in this, that artists’ relationship is essentially with their work — not with power, not with profit, not with themselves, not even with their audience.
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