In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
Andy SerkisRead
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
Interpretation
The essence of a performance lies in the actor's character portrayal rather than in visual effects.
Andy Serkis emphasizes the importance of an actor's ability to embody a character in a way that resonates emotionally with the audience. No matter how advanced the technology or CGI may be, it cannot replace the depth and connection that comes from a powerful live-action performance rooted in genuine character interpretation.
In practice
During a film discussion, one might reference this quote to highlight the importance of acting in storytelling.
In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
As long as you have the acting chops and the desire to get inside a character, you can play anything.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
He with a graceful pride, While his rider every hand survey'd, Sprung loose, and flew into an escapade; Not moving forward, yet with every bound Pressing, and seeming still to quit his ground.
When I see a story, I ask: is this something I'd like to be in? Is this something I'd like to see? And if I'd like to see it, would I like to tell it?
I dreamed I saw the silver spaceships flying in the yellow haze of the sun. There were children crying and colors flying all around the chosen ones.
I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images.
The pen is the language of the soul; as the concepts that in it are generated, such will be its writings.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
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