Perhaps it is the greatest grief, after all, to be left on earth when another is gone.
Madeline MillerRead
I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin.
Interpretation
This quote expresses the joy and exhilaration of experiencing freedom and connection with another person.
In this quote, Madeline Miller captures the essence of unrestrained joy and the beauty of authentic connection with another person. The vivid imagery of grinning until it hurts and the sensation of every nerve in the body being alive reflects a moment of blissful freedom and self-acceptance. It suggests that true happiness comes from being present and fully engaged in experiences with others, free from societal judgments or personal insecurities.
In practice
This quote is perfect for a motivational speech about living life to the fullest.
Perhaps it is the greatest grief, after all, to be left on earth when another is gone.
We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.
When I first started studying Greek, one of my absolute favorite parts was realizing that so many English words had these old, secret roots. Learning Greek was like being given a super-power: linguistic x-ray vision.
I stopped watching for ridicule, the scorpion's tail hidden in his words. He said what he meant; he was puzzled if you did not. Some people might have mistaken this for simplicity. But is it not a sort of genius to cut always to the heart?
Chiron had said once that nations were the most foolish of mortal inventions. "No man is worth more than another, wherever he is from.
Leisure only means a chance to do other jobs that demand attention.
When we are young, we are slavishly employed in procuring something whereby we may live comfortably when we grow old; and when we are old, we perceive it is too late to live as we proposed.
As awful as crime can be, it's what happens afterward - the struggling to get out of bed, to put one foot in front of the other - that alters people.
Every time I close my eyes blowing that trumpet of mine, I look right into the heart of good old New Orleans. It has given me something to live for.
I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.
On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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