Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever.
Charles MingusRead
Let my children have music! Let them hear live music.
Interpretation
The quote emphasizes the importance of exposing children to music and its live performance.
Charles Mingus advocates for the exposure of children to music, particularly live music, as an essential part of their upbringing. He believes that experiencing music in its authentic form enriches their lives and fosters a deep appreciation for this art form, which can influence their creativity and emotional development.
In practice
A teacher could use this quote to encourage a school music program.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever.
I am Charles Mingus, half black man, not even white enough to pass for nothing but black. I am Charles Mingus, a famed jazzman, but not famed enough to make a living in this society.
Jazz music is a language of the emotions.
My music is evidence of my soul's will to live.
I never heard my music played the way I heard it in my head.
It (jazz) isn't like it used to be. The guys aren't together. They're all separated. Individuals now. Bird was a symbol. It was a clique, a clique of people. Who all believed in one thing: gettin' high. And playin'.
You shall create beauty not to excite the senses but to give sustenance to the soul.
I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.
I don't want to analyze myself or anything, but I think, in fact I know this to be true, that I enter the world through what I write. I grew up believing, and continue to believe, that I am a screw-up, that growing up with my family and friends, I had nothing to offer in any conversation. But when I started writing, suddenly there was something that I brought to the party that was at a high-enough level.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite, exquisite and melting her all molten inside.
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