People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Interpretation
This quote emphasizes the deep connection and passion that filmmakers have with the medium of cinema.
Martin Scorsese reflects on the intimate relationship filmmakers share with the craft of cinema, comparing it to a lover's knowledge of their partner. He urges us to appreciate and remember the origins of cinema, suggesting that this passionate connection is essential to its future.
In practice
In a film class, you might use this quote to highlight the importance of understanding cinema's origins.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.
But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry.
The most beautiful thing in the world is a ballpark filled with people.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
The meaning of a theater event is that none of us could see something so clearly as with the new energy that is brought with the meeting of a theme, actors living it, and an audience gradually entering it to live it with them. At that moment, a certain light appears, revealing what we would never have thought of on our own.
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