Once I stop being a citizen of the U.S.S.R., I will not stop being a Russian poet.
Interpretation
Identity and artistry can persist beyond political affiliations.
Joseph Brodsky's quote reflects the profound connection between his identity as a Russian and his identity as a poet. He suggests that while political boundaries and citizenship may change, the core of who he is—his artistic expression and heritage—endures, emphasizing that art transcends political contexts and national identities.
In practice
This quote could be used in a discussion about the role of artists in times of political upheaval.
Basically, it's hard for me to assess myself, a hardship not only prompted by the immodesty of the enterprise, but because one is not capable of assessing himself, let alone his work. However, if I were to summarize, my main interest is the nature of time. That's what interests me most of all. What time can do to a man.
One always pulls the trigger out of self-interest and quotes history to avoid responsibility or pangs of conscience.
On the whole, infinity is a fairly palpable aspect of this business of publishing, if only because it extends a dead author's existence beyond the limits he envisioned, or provides a living author with a future he cannot measure. In other words, this business deals with the future which we all prefer to regard as unending.
The invention of ethical and political doctrines, which blossomed into our own social sciences, is a product of times when things appeared manageable. The same goes for the criticism of those doctrines, though as a voice from the past, this criticism proved prophetic.
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those - in the official capacity as well as the self-appointed.
To put it in plain language, Russia is that country where the name of a writer appears not on the cover of his book, but on the door of his prison cell.
I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.
I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.
In Red Flags, Juris Jurjevics has brilliantly accomplished a feat that is becoming a major characteristic of 21st century literature: the seamless combining of a genre form with the deep resonance of literary art. This book is thrilling to read for both its narrative drive and its insight into the human heart.
All my adult life I have been searching for the right adjective to describe my father's peculiarly aggressive comic style. I recently settled on 'defamatory.'
The upshot was, my paintings must burn that English artists might finally learn.
You obviously don't really forget how to play the old songs; you just don't have to spend so much time convincing yourself that you remember them. Way less mental energy is spent swimming around in lyrics you've already written and chords you've already played.
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