As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
This is the very coinage of your brain: this bodiless creation ecstasy.
Interpretation
The quote refers to the imaginative and creative powers of the mind in producing art and ecstasy.
In this quote, Shakespeare emphasizes the concept that art is a product of the mind, created through imagination. He portrays creative expression as something magical and intangible, equating it to ecstasy, which suggests that art has the power to evoke profound emotions and experiences that transcend the physical world.
In practice
In a speech about creativity, one might say, 'As Shakespeare reminds us, this is the very coinage of your brain: this bodiless creation ecstasy'.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I'm one of those people who says, 'yes, cinema died when they invented sound.'
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
I will tell you what Jeanne was like. She was like a piano in a country where everyone has had their hands cut off.
If we doubt the power of literature and art to civilise, how come no one has ever been mugged by a person carrying a well-thumbed copy of 'Middlemarch' in his back pocket?
One day you pick up the guitar and you feel like a great master, and the next day you feel like a fool. It’s because we’re different every day, but the guitar is always the same…beautiful.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
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