The color of his pallor, however, was a curiously basic white - unmixed, that is, with the greens and yellows of guilt or abject contrition. It was very like the standard bloodlessness in the face of a small boy who loves animals to distraction, all animals, and who has just seen his favourite, bunny-loving sister's expression as she opened the box containing his birthday present to her - a freshly caught young cobra, with a red ribbon tied in an awkward bow around its neck.
Interpretation
This quote explores the innocence and complexity of human emotions through a child's love for animals and the moral dilemmas that arise from it.
In this quote, J.D. Salinger contrasts the pure, uncolored pallor of a child's face when faced with innocence and the conflicting emotions that can accompany such experiences. The boy's excitement to present a cobra, typically seen as threatening, to his sister showcases the often perplexing intersection of innocence and potential danger, as well as the complexities of affection, love, and emotional understanding in relationships.
In practice
During a talk on childhood innocence, one could use this quote to illustrate the complexity of emotions in children.
Against my better judgment I feel certain that somewhere very near here—the first house down the road, maybe—there's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
Each of his phrases was rather like a little ancient island, inundated by a miniature sea of whiskey.
My brother Allie had this left-handed fielder's mitt. he was left handed. The thing that was descriptive about it though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he'd have something to read when he was in the field and nobody was up to bat
Who in the Bible besides Jesus knew--knew--that we're carrying the Kingdom of Heaven around with us, inside, where we're all too goddam stupid and sentimental and unimaginative to look?
You can hit my father over the head with a chair and he won't wake up, but my mother, all you have to do to my mother is cough somewhere in Siberia and she'll hear you.
Almost nobody believes anymore that infants are insensate blobs. It seems both mad and evil to deny experience and feeling to a laughing, gurgling creature.
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
A man who could not see the end of his"provisional existence" was not able to aim at an ultimate goal in life.
Plato is dear to me, but dearer still is truth.
Ignorance, the root and stem of all evil.
Who o'er the herd would wish to reign, Fantastic, fickle, fierce, and vain! Vain as the leaf upon the stream, And fickle as a changeful dream; Fantastic as a woman's mood, And fierce as Frenzy's fever'd blood. Thou many-headed monster thing, Oh who would wish to be thy king!
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