. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
Gertrude SteinRead
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
Interpretation
Good writing brings words to life, allowing them to evoke emotions and images.
Gertrude Stein highlights the essence of effective writing as the ability to breathe life into words, enabling them to express a range of human emotions and experiences. This transformative power of language creates an engaging and dynamic connection with readers, illustrating how writing can transcend mere text to become a vivid representation of life itself.
In practice
A university professor discussing the qualities of impactful literature.
. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
The creator of the new composition in the arts is an outlaw until he is a classic.
The United States is just now the oldest country in the world, there always is an oldest country and she is it, it is she who is the mother of the twentieth century civilization. She began to feel herself as it just after the Civil War. And so it is a country the right age to have been born in and the wrong age to live in.
I simply contend that the middle-class ideal which demands that people be affectionate, respectable, honest and content, that they avoid excitements and cultivate serenity is the ideal that appeals to me, it is in short the ideal of affectionate family life, of honorable business methods.
It is natural to indulge in the illusions of hope. We are apt to shut our eyes to that siren until she allures us to our death.
Anything one does every day is important and imposing and anywhere one lives is interesting and beautiful.
Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can't force it.
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
I knew the exuberance of playing before an admiring audience and hearing my secret voice.
An artist is someone who should raise questions rather than give answers. I have no message.
The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious which is best fitted to compensate the inadequacy and one-sidedness of the present.
The thing that most interests me about writing - there are lots of things, but the thing I can't do without - is the hit of happiness a lovely sentence delivers.
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