An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
Ryuichi SakamotoRead
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
Interpretation
Mistakes can lead to unexpected creativity and discovery.
Ryuichi Sakamoto emphasizes that errors, particularly in music creation, can be seen positively as opportunities for exploration and innovation. He suggests that every wrong note can introduce new sounds and harmonies that one might not have considered, encouraging a mindset that values the process of creation over perfection.
In practice
This quote could be shared during a creative workshop to inspire participants to embrace their errors.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
I'm just delighted to be living, to be able to have a simple conversation, to feel a ray of sunlight on my skin and listen to the breeze move through the leaves of a tree.
When people are deprived of a sense, their other senses get heightened. If you're culturally devoid of something - of weather, of artistry, of interesting architecture, all the way down the line to culture itself - you're either forced to give in and get that car dealership, or you manufacture those things for yourself.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
In the earliest ages science was poetry, as in the later poetry has become science.
All good, clean stories are melodrama, it's just the set of devices that determines how you show or hide it.
I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.
I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'
Subscribe for the occasional hand-picked quote. No noise.