Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
I suppose you could say my father's world was Thomas Hardy and my mother's D.H. Lawrence.
Interpretation
The author reflects on the literary influences of his parents, highlighting the significance of their tastes.
In this quote, Seamus Heaney illustrates the profound impact that his parents' literary preferences had on his own worldview and creative development. By referencing Thomas Hardy and D.H. Lawrence, he emphasizes not only the different styles and themes these authors represent but also how parental influence shapes one's identity and artistic inclinations.
In practice
In a speech on literary influences, one might cite this quote to illustrate how family shapes our tastes.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.
If I could sum it up in 50 words, I wouldn't have needed to write a whole novel about it.
I assume I don't need an introduction.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index.
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