Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
Interpretation
The quote emphasizes the importance of authenticity in artistic representation.
Lucian Freud asserts that true art must reflect reality as it is, without embellishment or fabrication. He sees the act of creating art that distorts or lies about what is actually present as devoid of purpose, suggesting that the integrity of the artist's vision is paramount in capturing the essence of the subject.
In practice
In a gallery talk about artistic integrity, this quote can be used to highlight the necessity of truth in art.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I have a hatred of habit and routine. And what dogs love is just that. They like regular everything, and I don't have regular anything. I have a timetable, but no routine.
Like a midwife, I make my living bringing new babies into the world, except that mine are new advertising campaigns.
I knew there was something special about the theater for me something beyond the regular reality, something that I could get into and transcend and become something other than myself.
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
But if writing about people who are not yourself is illegitimate, then the only legitimate work is autobiography; and as a reader and a citizen, I donβt want to live in that world.
Subscribe for the occasional hand-picked quote. No noise.