I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
How could I share with you how I felt when two towers that I loved, two pieces of steel and glass and concrete fell down, when actually they took with them thousands of human lives? That is the actual tragedy. But those towers were almost human for me. I was in love with them, and that's why I married them with a tight rope.
Interpretation
What this quote means
The quote reflects on the emotional connection between people and structures, highlighting the deep sense of loss felt when they succumb to tragedy.
Philippe Petit articulates the profound emotional attachment he had to the World Trade Center towers, describing them as almost human and expressing his grief over their destruction. This sense of loss amplifies the tragedy, as it not only represents physical structures collapsing but also signifies the loss of lives and dreams associated with them. The quote invites reflection on how we personify our surroundings and how deeply intertwined our emotions can be with the places we inhabit.
Themes
In practice
Example use cases
In a speech about the impact of 9/11 on the city and its people.
More from Philippe Petit
All quotes →On a very long and very high wire, I will not hope to not be blown off by high winds. I will have the certitude that such could not happen.
Many people use the words 'death defying' or 'death wishing' when they talk about wire-walking. Many people have asked me: 'So do you have a death wish?' After doing a beautiful walk, I feel like punching them in the nose. It's indecent. I have a life wish.
It's very easy to walk on a wire if you spend a whole lifetime practicing for it.
I am not up there by chance. I am there by choice. And I know the wire. And I know my limits. And I am a madman of details.
It is treacherous on a high wire to change your focus point and suddenly look down.
Similar quotes
Withdraw allegiance from the old categories of the Negative (law, limit, castration, lack, lacuna), which the Western thought has so long held sacred as a form of power and an access to reality. Prefer what is positive and multiple, difference over uniformity, flows over unities, mobile arrangements over systems. Believe that what is productive is not sedentary but nomadic.
And who will care, who will chide you if you wander away from wherever you are, to look for your soul?
In regard to the past, where contemplation is not obscured by desire and the need for action, we see, more clearly than in the lives about us, the value for good and evil, of the aims men have pursued and the means they have adopted. It is good, from time to time, to view the present as already past, and to examine what elements it contains that will add to the world's store of permanent possessions, that will live and give life when we and all our generation have perished.
The present urgency is to begin thinking within the context of the whole planet, the integral earth community with all its human and other-than-human components.
It is better to put on the brakes sooner, for some fine day you begin to understand — to pardon everything — and then where is the charm of life, if you cannot love or hate any more?
Children, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.