Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
N. Scott MomadayRead
Coyotes have the gift of seldom being seen; they keep to the edge of vision and beyond, loping in and out of cover on the plains and highlands. And at night, when the whole world belongs to them, they parley at the river with the dogs, their higher, sharper voices full of authority and rebuke. They are an old council of clowns, and they are listened to.
Interpretation
The quote reflects the elusive and wise nature of coyotes, highlighting their unique presence and voice in the wilderness.
In this quote, N. Scott Momaday portrays the coyote as a symbol of wisdom and mystery, existing just beyond our sight while commanding respect and attention. It illustrates how these creatures navigate their environment with grace and cunning, often holding a deeper understanding of their surroundings, which is recognized and acknowledged by both animals and humans alike.
In practice
During a nature documentary screening, one might quote this to emphasize the cleverness of wildlife.
Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
For the storyteller, for the arrowmaker, language does indeed represent the only chance for survival.
There is a great good in returning to a landscape that has had extraordinary meaning in one's life. It happens that we return to such places in our minds irresistibly. There are certain villages and towns, mountains and plains that, having seen them walked in them lived in them even for a day, we keep forever in the mind's eye. They become indispensable to our well-being; they define us, and we say, I am who I am because I have been there, or there.
Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
My father was a painter and he taught art. He once said to me, 'I never knew an Indian child who could not draw.'
Indians are marvelous storytellers. In some ways, that oral tradition is stronger than the written tradition.
In the end, the only heritage we have is our planet, and I have decided to go to the most pristine places on the planet and photograph them in the most honest way I know, with my point of view, and of course it is in black and white, because it is the only thing I know how to do.
Nature is pitiless; she never withdraws her flowers, her music, her fragrance, and her sunlight from before human cruelty or suffering.
Passion is lifted from the earth itself by the muddy hands of the young; it travels along grass-stained sleeves to the heart. If we are going to save environmentalism and the environment, we must also save an endangered indicator species: the child in nature.
Spring has returned. The Earth is like a child that knows poems.
A pool is water, made available and useful, and is, as such, infinitely soothing to the western eye.
To go fishing is the chance to wash one's soul with pure air, with the rush of the brook, or with the shimmer of sun on blue water. It brings meekness and inspiration from the decency of nature, charity toward tackle-makers, patience toward fish, a mockery of profits and egos, a quieting of hate, a rejoicing that you do not have to decide a darned thing until next week. And it is discipline in the equality of men - for all men are equal before fish.
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