Maybe that's what these films are doing. They are my way of blessing the child
Hayao MiyazakiRead
The creation of a single world comes from a huge number of fragments and chaos.
Interpretation
This quote highlights how complexity and disorder can lead to the creation of something unified and beautiful.
Hayao Miyazaki's quote suggests that the process of creating a cohesive world, whether in art, storytelling, or life, is often born from a multitude of chaotic elements and diverse influences. It emphasizes the idea that greatness can emerge from fragmentation, encouraging creators to embrace the complexities and imperfections that contribute to their unique vision.
In practice
In a speech about creativity, one could use this quote to illustrate the beauty of the creative process.
Maybe that's what these films are doing. They are my way of blessing the child
I wanted to convey the message to children that this life is worth living.
You must see with eyes unclouded by hate. See the good in that which is evil, and the evil in that which is good. Pledge yourself to neither side, but vow instead to preserve the balance that exists between the two.
But remember this, Japanese boy... airplanes are not tools for war. They are not for making money. Airplanes are beautiful dreams. Engineers turn dreams into reality.
I’d like to see Manhattan underwater. I’d like to see when the human population plummets and there are no more high rises, because nobody’s buying them. I’m excited about that. Money and desire—all that is going to collapse, and wild green grasses are going to take over.
To be born means being compelled to choose an era, a place, a life. To exist here, now, means to lost the possibility of being countless other potential selves.. Yet once being born there is no turning back. And I think that's exactly why the fantasy worlds of cartoon movies so strongly represent our hopes and yearnings. They illustrate a world of lost possibilities for us.
All music is just a collision of sounds until you know its internal conventions and understand the nuances. It's a question of familiarity.
There's something peculiar about writing fiction. It requires an interesting balance between seeing the world as a child and having the wisdom of a middle-aged person. The further you get from childhood and the experience of the teenage years, the greater the danger of losing that wellspring.
The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
A typewriter is a means of transcribing thought, not expressing it.
You hand the baton on, and that's why roles like 'Medea' resonate for years and years, as each new actor comes to it.
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