Grounded in the natural philosophy of the Middle Ages, alchemy formed a bridge: on the one hand into the past, to Gnosticism, and on the other into the future, to the modern psychology of the unconscious.
Carl JungRead
The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.
Interpretation
Creativity stems from our innate desires rather than intellectual efforts.
Carl Jung suggests that true creativity originates from a natural instinct to explore and play with ideas and materials that resonate with us deeply. It's not merely a product of the intellect but a manifestation of an inner drive that inspires innovation and artistic expression.
In practice
In a speech about innovation, one could use this quote to emphasize the importance of natural instincts in the creative process.
Grounded in the natural philosophy of the Middle Ages, alchemy formed a bridge: on the one hand into the past, to Gnosticism, and on the other into the future, to the modern psychology of the unconscious.
The majority of my patients consisted not of believers but of those who had lost their faith.
Complexes are psychic contents which are outside the control of the conscious mind. They have been split off from consciousness and lead a separate existence in the unconscious, being at all times ready to hinder or to reinforce the conscious intentions.
We are in a far better position to observe instincts in animals or in primitives than in ourselves. This is due to the fact that we have grown accustomed to scrutinizing our own actions and to seeking rational explanations for them.
From the viewpoint of analytic psychology, the theatre, aside from any aesthetic value, may be considered as an institution for the treatment of the mass complex.
I have treated many hundreds of patients. Among those in the second half of life - that is to say, over 35 - there has not been one whose problem in the last resort was not that of finding a religious outlook on life.
But the building's identity resided in the ornament.
Everybody must have a fantasy.
Even after I became involved in theater and involved in TV and film, I had this sort of idea that Hollywood was off limits. There was something about L.A., the mystique of it and fear of it.
That is why I believe that art is so much more significant than either economics or philosophy. It is the direct measure of man's spiritual vision.
When I was 10, my parents really valued success in the arts, and I thought if I was a famous 'something artistic,' that they would love me more.
I think having land and not ruining it is the most beautiful art that anybody could ever want to own.
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