It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
The creative adult is the child who has survived.
Interpretation
This quote emphasizes the importance of maintaining creativity and imagination into adulthood, which often stems from childhood innocence and wonder.
Ursula K. Le Guin's quote suggests that the essence of creativity in adulthood is deeply rooted in the ability to preserve the childlike qualities of imagination and curiosity. As we grow older, societal norms can stifle our creativity, but those who embrace their inner child continue to innovate and express themselves artistically, highlighting the significance of nurturing one's creative spirit throughout life.
In practice
Using the quote in a motivational speech about embracing creativity in the workplace.
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. βDo they expect students not to be anarchists?β he said. βWhat else can the young be? When you are on the bottom, you must organize from the bottom up
I am just beginning to understand what it is to paint. A painter should have two lives, one in which to learn, and one in which to practice his art.
Poems - crystallizations of the universal play of analogy, transparent objects which, as they reproduce the mechanism and the rotary motion of analogy, are waterspouts of new analogies.
It's about the audience - if they laugh and clap, you feed off that, and if they don't, you doubt everything you've ever done.
I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of.
By the time I got to record my first album, I was 26, I didn't need pen or paper - my memory had been trained just to listen to a song, think of the words, and lay them to tape.
Poems infatuated with their own smarts and detached from any emotional grounding can leave the reader feeling lonely, empty and ashamed for having expected more. Like icy adolescents, such poetry is more interested in commiserating than acknowledging that feelings β the sentiments that make us susceptible to sentimentality β actually exist.
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