Grounded in the natural philosophy of the Middle Ages, alchemy formed a bridge: on the one hand into the past, to Gnosticism, and on the other into the future, to the modern psychology of the unconscious.
Carl JungRead
A creative person has little power over his own life. He is not free. He is captive and driven by his daimon.
Interpretation
A creative individual often feels compelled by an inner drive that limits their autonomy.
Carl Jung suggests that creativity is not solely a choice but rather a descent into a powerful drive or instinct, referred to as 'daimon.' This indicates that a creative person's life is heavily influenced by their creative urges and inspirations, which can make them feel less in control of their own destiny.
In practice
In a speech about artistic challenges, one might say, 'As Carl Jung noted, a creative person has little power over his own life.'
Grounded in the natural philosophy of the Middle Ages, alchemy formed a bridge: on the one hand into the past, to Gnosticism, and on the other into the future, to the modern psychology of the unconscious.
The majority of my patients consisted not of believers but of those who had lost their faith.
Complexes are psychic contents which are outside the control of the conscious mind. They have been split off from consciousness and lead a separate existence in the unconscious, being at all times ready to hinder or to reinforce the conscious intentions.
We are in a far better position to observe instincts in animals or in primitives than in ourselves. This is due to the fact that we have grown accustomed to scrutinizing our own actions and to seeking rational explanations for them.
From the viewpoint of analytic psychology, the theatre, aside from any aesthetic value, may be considered as an institution for the treatment of the mass complex.
I have treated many hundreds of patients. Among those in the second half of life - that is to say, over 35 - there has not been one whose problem in the last resort was not that of finding a religious outlook on life.
All that one gains by falsehood is, not to be believed when he speaks the truth.
The difference between the almost right word and the right word is really a large matter - 'tis the difference between the lightning-bug and the lightning.
It's not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing—they are not all bad. Those devils have been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
The free exploring mind of the individual human is the most valuable thing in the world.
In sorrow, pretend to be fearless. In happiness, tremble.
Prepare for the unknown, unexpected and inconceivable . . . after 50 years of flying I'm still learning every time I fly.
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