In all the creative work that I have done, what has come first is a problem, a puzzle involving discomfort.
Interpretation
Creativity often starts with a challenge that needs to be solved.
Bertrand Russell's quote emphasizes that the foundation of all creative work lies in identifying and grappling with a problem or discomfort. This suggests that creativity is not merely a spontaneous act but often a response to challenges that compel individuals to think critically and innovate.
In practice
A speaker at an art workshop could use this quote to inspire attendees to embrace challenges in their creative journey.
St. Paul introduced an entirely novel view of marriage, that it existed primarily to prevent the sin of fornication. It is just as if one were to maintain that the sole reason for baking bread is to prevent people from stealing cake.
Freedom comes only to those who no longer ask of life that it shall yield them any of those personal goods that are subject to the mutations of time.
Of these austerer virtues the love of truth is the chief, and in mathematics, more than elsewhere, the love of truth may find encouragement for waning faith. Every great study is not only an end in itself, but also a means of creating and sustaining a lofty habit of mind; and this purpose should be kept always in view throughout the teaching and learning of mathematics.
At all times, except when a monarch could enforce his will, war has been facilitated by the fact that vigorous males, confident of victory, enjoyed it, while their females admired them for their prowess.
Moreover, the attitude that one ought to believe such and such a proposition, independently of the question whether there is evidence in its favor, is an attitude which produces hostility to evidence and causes us to close our minds to every fact that does not suit our prejudices.
Extreme hopes are born from extreme misery.
My art flatters nobody by imitation; it courts nobody by smoothness, tickles nobody by petiteness... there is no finish in nature.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
My plays are ultimately about love, honor, duty, betrayal.
I've often been accused of, 'Oh the movies looked good but there's no story,' but I disagree with that in theory, and '9' is a perfect example for me because the feel, the texture, and the look of that world, and those characters, is the story. That's a major component of why you feel the way you do when you're watching it.
I'm no parasite. I'm a poet who will bring honor and glory to his country.
Only stilted pedants can conceive the idea that there are absolute norms to tell what is beautiful and what is not. They try to derive from the works of the past a code of rules with which, as they fancy, the writers and artists of the future should comply. But the genius does not cooperate with the pundit.
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