An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
It is curious to note how fragile the memory is, even for the important times in one's life. This is, moreover, what explains the fortunate fantasy of history.
Interpretation
Memory can be unreliable, even regarding significant life events, which contributes to the subjective nature of history.
This quote by Marcel Duchamp highlights the fragility of human memory, suggesting that even our most cherished and significant experiences may become distorted over time. It indicates that this inherent unreliability of memory contributes to the way history is perceived and recorded, often influenced by personal interpretations and emotional biases.
In practice
In a discussion about historical accuracy, you can emphasize the importance of understanding memory's limitations with this quote.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
When we don't like to face up to hard facts, we use soft words. We do not speak about killing a baby within the womb, but about "termination of potential life." Words are often multiplied to try to cover dark deeds.
There is a stream, a succession of states, or waves, or fields (or whatever you please to call them), of knowledge, of feeling, of desire, of deliberation, etc., that constantly pass and repass, and that constitute our inner life.
One unconsciously takes it for granted that doer and sufferer think and feel alike, and according to this supposition we measure the guilt of the one by the pain of the other.
We are a pluralist civilisation because we allow mosques to be built in our countries, and we are not going to stop simply because Christian missionaries are thrown into prison in Kabul. If we did so, we too would become Taliban.
Understanding the often unconscious nature of genetic control is the first step toward understanding that—in many realms, not just sex—we’re all puppets, and our best hope for even partial liberation is to try to decipher the logic of the puppeteer.
Disbelief is more resistant than faith because it is sustained by the senses.
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