The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Massimo VignelliRead
Design without discipline is anarchy, an exercise of irresponsibilit y.
Interpretation
Design needs structure and discipline to be effective; without it, it can become chaotic and irresponsible.
The quote by Massimo Vignelli emphasizes the importance of discipline in the field of design. It suggests that without a guiding structure and responsible practices, design efforts can devolve into chaos, rendering them ineffective and irresponsible. This highlights the balance required between creativity and discipline to produce meaningful and functional design work.
In practice
In a design seminar, to emphasize the balance needed in design work.
The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against disease. For us, the visual disease is what we have around, and what we try to do is cure it somehow with design.
Designers take care of everything around us. Everything that is around us, this table, this chair, this lamp, this pen has been designed. All of these things, everything has been designed by somebody.
Styles come and go. Good design is a language, not a style.
Good design is ubiquitous and forever.
A designer without a sense of history is worth nothing
I see graphic design as the organization of information that is semantically correct, syntactically consistent and pragmatically understandable.
I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.
I think that when we look at something that's well acted and a story that's well told, it allows us to be a mirror of who we are as human beings and as a culture, and offers a glimpse of where we're headed.
I came to the realization that I can also satisfy my creative side by giving somebody else a chance. I don't have to be in front of the camera for every project.
My scripts are possibly too talkative. Sometimes I watch a scene I've written, and occasionally I think, 'Oh, for God's sake, shut up.'
I personally made a decision many years ago that I wanted to crawl into portraiture because it had a lot of latitude.
For me, the way to approach a subject such as Vietnam is through storytelling.
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