Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.
Edvard MunchRead
At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
Interpretation
Our perspectives change based on time and emotions, which adds richness to our experience of art.
Edvard Munch's quote highlights the idea that perception is subjective and can shift based on various factors, including the time of day and one's emotional state. As a result, the same piece of art can evoke different feelings and interpretations at different moments, underscoring the complexity and beauty of artistic expression.
In practice
In a speech on the value of creativity, one might include Munch's quote to emphasize the importance of perspective in understanding art.
Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.
I don’t believe in an art that is not born out of man’s need to open his heart.
Through my art I have tried to explain my life and its meaning. I have also intended to help others to clarify their lives.
My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
From my rotting body, flowers shall grow and I am in them and that is eternity.
I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation.
I am apparently gentle, unstable, and full of pretenses. I will die a poet killed by the nonpoets, will renounce no dream, resign myself to no ugliness, accept nothing of the world but the one I made myself. I wrote, lived, loved like Don Quixote, and on the day of my death I will say: ‘Excuse me, it was all a dream,’ and by that time I may have found one who will say: ‘Not at all, it was true, absolutely true.’
The landscape thinks itself in me and I am its consciousness.
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a d v e n t u r e... In other words, the utopian enterprise.
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