A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that.
They want me to write differently. Certainly I could, but I must not. God has chosen me from thousands and given me, of all people, this talent. It is to Him that I must give account. How then would I stand there before Almighty God, if I followed the others and not Him?
Interpretation
What this quote means
The quote emphasizes the importance of staying true to one's unique talents and convictions, rather than conforming to the expectations of others.
In this quote, Anton Bruckner reveals his inner conflict as a creator who feels pressure to alter his artistic expression to fit in with societal norms. He asserts that his talent is a divine gift and that he must remain faithful to it in order to honor God. This highlights the importance of individuality in the creative process and the moral responsibility that comes with being true to oneself in the face of external expectations.
Themes
In practice
Example use cases
During a speech on creative freedom, one could use this quote to inspire artists to embrace their own unique voices.
Similar quotes
Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.
I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
Poetry is often the art of overhearing yourself say things you didn't know you knew. It is a learned skill to force yourself to articulate your life, your present world or your possibilities for the future.
In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.
Every artist is linked to a mistake with which he has a particular intimate relation. There is the mistake of Homer, of Shakespeare β which is perhaps, for both, the fact of not existing. Every art draws its origin from an exceptional fault, every work is the implementation of this original fault, from which come to us a new light and a risky conception of plenitude.