Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
RupaulRead
I love drag, and I love people who gravitate toward it. Because the people who do drag are people who dance to the beat of a different drummer.
Interpretation
The quote expresses admiration for drag culture and its artists who embrace individuality and creativity.
Rupaul's quote highlights the unique sense of community and creativity found in drag culture. It celebrates the individuals who participate in drag as being distinct from societal norms, suggesting that these people are brave and authentic, dancing to their own rhythm and encouraging others to embrace their true selves.
In practice
In a speech about diversity and acceptance, you could use this quote to celebrate individual expression.
Personally, I experience success when I enjoy what I'm doing. I love the creative process, even if the end result isn't embraced by anyone else.
The secret of success in every field is redefining what success means to you. It can't be your parent's definition, the media's definition, or your neighbor's definition. Otherwise, success will never satisfy you.
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
All things to do with drag are inherently therapeutic because the realization of your own insanity is the beginning of sanity.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
I think if you say that art and politics, or religion and politics, mustn't mix, don't mix, that is itself a political statement. Even if you are writing a 19th-century novel where the money comes from a plantation in the Caribbean and you don't talk about that, that itself is a political thing.
For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase.
There are other singers of ranchera music who sing very beautifully, but you can tell from the way they sing that they never lived on a ranch. They never knew what it was to milk a cow, to birth a calf, to shoe a horse. I've lived all that.
When I go to Comic-Cons and people line up for autographs, so many people have a story about how they are moved, how they get tearful about what 'Back To The Future' meant to them.
But me writing sad songs doesn't mean I am a sad person.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
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