Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Junot DiazRead
'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
Interpretation
The quote reflects on the hybrid nature of the book 'Drown', leaving genre classification open to the reader's interpretation.
Junot Diaz emphasizes the complexity of literary genres through his work 'Drown', which combines elements of both short story collections and novels. By allowing readers to interpret the book's genre, he invites them to engage actively with the text, highlighting the fluidity and interconnectedness of storytelling.
In practice
In a literature class discussing genre fluidity, this quote can illustrate how hybrid forms challenge traditional categorization.
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves.
I think 90% of my ideas evaporate because I have a terrible memory and because I seem to be committed to not scribble anything down. As soon as I write it down, my mind rejects it.
A book is like a man - clever and dull, brave and cowardly, beautiful and ugly. For every flowering thought there will be a page like a wet and mangy mongrel, and for every looping flight a tap on the wing and a reminder that wax cannot hold the feathers firm too near the sun.
You want in all cases for the story to get through the writing.
When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
I wrote The Grapes of Wrath in one hundred days, but many years of preparation preceded it.
Poe was the first writer to write about main characters who were bad guys or who were mad guys, and those are some of my favorite stories.
No literature is complete until the language it was written in is dead.
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