After Momma gave birth to twelve of us kids, we put her up on a pedestal. It was mostly to keep Daddy away from her.
Dolly PartonRead
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
Interpretation
This quote reflects the struggle between artistic expression and popular music standards.
In this quote, Dolly Parton recounts her experiences with Porter Wagoner, who advised her about the typical structures of songwriting. Despite his guidance aimed at improving her chances of radio play, she emphasizes her desire to tell stories through her music, illustrating the tension between commercial expectations and creative freedom in the art of songwriting.
In practice
During a songwriting workshop, I shared Dolly Parton's quote to encourage others to embrace their unique storytelling style.
After Momma gave birth to twelve of us kids, we put her up on a pedestal. It was mostly to keep Daddy away from her.
My songs are the door to every dream I've ever had and every success I've ever achieved.
A real important thing is that, though I rely on my husband for love, I rely on myself for strength.
The hardest exercise for most of us fat people is that one where we push our chairback from the dinner table.
If your actions create a legacy that inspires others to dream more, learn more, do more and become more, then, you are an excellent leader.
Until I was a teenager, I used red pokeberries for lipstick and a burnt matchstick for eyeliner. I used honeysuckle for perfume.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
I am a man and alive. For this reason I am a novelist. And, being a novelist, I consider myself superior to the saint, te scientist, the philosopher, and the poet, who are all great masters of different bits of man alive, but never get the whole hog....Only in the novel are all things given full play.
Everybody has the same energy potential. The average person wastes his in a dozen little ways. I bring mine to bear on one thing only: my paintings, and everything else is sacrificed to it...myself included.
I think I write in order to discover on my shelf a new book that I would enjoy reading, or to see a new play that would engross me.
The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
Fundamentally, I think of myself as a storyteller, not a writer.
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