Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
Sally MannRead
The earth doesn’t care where death occurs. ...It’s the artist, by coming in and writing about it or painting it or taking a photograph of it, that makes the earth powerful and creates death’s memory. Because the land will not remember by itself, but the artist will.
Interpretation
Artists have the power to immortalize moments of death through their work.
This quote emphasizes the unique role of the artist in preserving memories of death and the emotional impact of such moments on the earth. While the natural world may remain indifferent to loss, artists breathe life into memories through creative expression, allowing us to remember and feel the significance of those moments.
In practice
In a speech about the importance of art in society, one might say, 'As Sally Mann said, the artist transforms the Earth’s silence into powerful memories.'
Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
Sometimes, when I get a good picture, it feels like I have taken another nervous step into increasingly rarified air. Each good-news picture, no matter how hard-earned, allows me only a crumbling foothold on this steepening climb—an ascent whose milestones are fear and doubt.
It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
I can think of numberless males, from Bonnard to Callahan, who have photographed their lovers and spouses, but I am having trouble finding parallel examples among my sister photographers. The act of looking appraisingly at a man, making eye contact on the street, asking to photograph him, studying his body, has always been a brazen venture for a woman, though, for a man, these acts are commonplace, even expected.
There's something to be said for going right into people's living rooms. I think actors have always loved that medium - you're right in there with people in their homes. A lot of very audacious work is being done on television.
It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.
The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.
I don't do fashion, I AM fashion.
When everything goes right a mobile is a piece of poetry that dances with the joy of life and surprise!
You need to keep something for yourself. As a writer, I feel that even more strongly. I feel like I need to be able to freely observe the world. That's the way I like to move through the world; I don't need to be the focus of attention. If I am, it impairs my ability to write and to do what I do.
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