Thatβs my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.
Walker EvansRead
It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.
Interpretation
The challenge in photography lies not just in capturing visible objects, but in conveying the essence of light itself.
Walker Evans highlights a profound aspect of photography that goes beyond simple techniques. While it may be straightforward to capture images of illuminated surfaces, the true artistry lies in capturing the invisible quality of light that exists in the air, suggesting that the essence of an image often lies beyond what is immediately visible.
In practice
This quote could be used in a photography workshop to inspire participants to look beyond the obvious.
Thatβs my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.
The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system.
It is the way to educate your eye and more. Stare, pry, listen, eavesdrop.
Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.
Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.
It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.
I am just getting into Zora Neale Hurston, who is possibly a much better writer than the critics and rivals who tried to erase her from history, resulting in a life in which she worked as a maid and died in a welfare nursing home. She's clever. She does something modern to the sentence.
January 8 has been a lucky day for me. I have started all my books on that day, and all of them have been well received by the readers. I write eight to ten hours a day until I have a first draft, then I can relax a little. I am very disciplined. I write in silence and solitude. I light a candle to call inspiration and the muses, and I surround myself with pictures of the people I love, dead and alive.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
I hate to say this, but I always listen to the music and the instrumentation first, and then grab on to the lyrics later.
I wish I could write. I get these ideas but I never seem to be able to put them in words.
It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.
Subscribe for the occasional hand-picked quote. No noise.