Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Celeste NgRead
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
Interpretation
Writers should remember their audience and the impact of their words on others.
Celeste Ng emphasizes the importance of awareness in writing. It's common for writers to become absorbed in their own thoughts and narratives, losing sight of the readers who engage with their work. This quote serves as a reminder that writing is not solely a personal endeavor; it is an act that resonates with and influences others, making it crucial for writers to maintain a connection with their audience.
In practice
In a writing workshop, to inspire aspiring authors about connecting with their readers.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Spend enough time wrangling a toddler, and you get good at being kind but firm. Like your child, you must be doggedly single-minded when it matters.
For me, any story I tackle begins with the human relationships and not the plot.
What I remember about race relations in the 1990s is that you showed your awareness by saying you didn't see race, that you were colour-blind.
In fiction you're not often writing about the typical; you are interested in outliers, the points of interest. Part of it comes from feeling I was the only Asian or person of colour... another part comes from my personality: I'm an introvert, and my usual survival mode in a large group is to stand by a wall and watch everybody.
Writing is like shouting into the world. So when someone shouts back, it's a really big deal. To have people who read hundreds and hundreds of books a year say, 'Hey, we thought this was really great,' that's a huge self-esteem boost.
All I ask is that you do as well as you can, and remember that, while to write adverbs is human, to write he said or she said is divine.
This grant gave me more than memories; it gave me a crucial experience that is formative to all writers: the ability to perceive that we become writers in exile, where what we write is the only link across distance and time…I became a Maryland writer because the community of Juneau took me in.
When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.
When I finish a first draft, it's always just as much of a mess as it's always been. I still make the same mistakes every time.
I think a lot of the dull parts of first drafts come from a kind of over-managing, intrusive writer who wants to direct traffic. The idea of taking out the parts that the reader could infer is very liberating, and it's weirdly part of radicalizing your work: it allows you to go to new places fast.
The most important thing in writing is to have written. I can always fix a bad page. I can't fix a blank one.
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