If you do something, you should do it because you love it, and you should follow your heart and make it how your heart wants it to be made. But it's a difficult world, especially for musicians.
Jim JamesRead
Editing is not merely a method of the junction of separate scenes or pieces, but is a method that controls the 'psychological guidance' of the spectator.
Interpretation
Editing shapes how viewers interpret a film by controlling their emotional and psychological experience.
Vsevolod Pudovkin's quote emphasizes that editing in film goes beyond just piecing together separate scenes; it plays a vital role in guiding the spectator's perception and emotional response. This psychological direction is crucial for creating a cohesive and impactful narrative that resonates with the audience on a deeper level.
In practice
A filmmaker might use this quote when discussing the importance of editing in storytelling.
If you do something, you should do it because you love it, and you should follow your heart and make it how your heart wants it to be made. But it's a difficult world, especially for musicians.
I don't want people confusing what it is that I'm about. I just stand there and sing. And I don't do stunts or anything. if I wanted to do all that, I don't think I'd get away with it.
I write because I'm in love with language; because I like working for myself, inside my head; and because it's the only way I know to make a stab at answering the never-ending questions of the heart that arise simply from the everyday living of our lives.
So long as you write what you wish to write, that is all that matters; and whether it matters for ages or only for hours, nobody can say. But to sacrifice a hair of the head of your vision, a shade of its colour, in deference to some Headmaster with a silver pot in his hand or to some professor with a measuring-rod up his sleeve, is the most abject treachery, and the sacrifice of wealth and chastity which used to be said to be the greatest of human disasters, a mere flea-bite in comparison.
Original thought, original artistic expression is by its very nature questioning, irreverent, iconoclastic.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
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