What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.
Richard SerraRead
If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.
Interpretation
Art is deeply connected to its environment, and understanding it requires experiencing its context.
Richard Serra emphasizes the significance of the spatial context in which art exists. He suggests that the true experience of a sculpture cannot be separated from its surroundings, implying that to appreciate art fully, one must engage with the environment and circumstances that influence its meaning and perception. Without this contextual understanding, he argues, any engagement with the artwork may lead to a misleading interpretation.
In practice
This quote could be used in an art class to discuss the importance of context in art interpretation.
What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.
I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.
But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.
A special kind of beauty exists which is born in language, of language, and for language.
Black and white might be sufficient. But why deprive yourself of color.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.
Fashion is very important. It is life-enhancing and, like everything that gives pleasure, it is worth doing well.
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