The more I'm pushed in a position of leadership and I know I have to be the mouthpiece for so many other people who can't speak for themselves, the more confidence I'm gaining.
Viola DavisRead
Egos are an occupational hazard in acting, but I don't have much of one, and my husband doesn't have much of one, so it's good.
Interpretation
Egos can be common in the acting profession, but humility in both personal and professional relationships is beneficial.
Viola Davis highlights the challenges of ego in the acting world, where many may prioritize self over collaboration. She emphasizes that both she and her husband maintain a level of humility, which fosters a positive and productive environment in their lives and careers.
In practice
In a workshop about teamwork, one could use this quote to discuss how humility can lead to better collaboration.
The more I'm pushed in a position of leadership and I know I have to be the mouthpiece for so many other people who can't speak for themselves, the more confidence I'm gaining.
What excites me is just taking some time to breathe in life. The mundane is very exciting.
I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.
I don't see a lot of narratives written where a woman who looks like me gets to be beautiful and sexualized and upwardly mobile, middle-class, funny, quirky. They're very seldom written.
And that's what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves - parts of their lives they can recognize. And I feel if I can achieve that, it's pretty spectacular.
There's no prerequisites to worthiness. You're born worthy, and I think that's a message a lot of women need to hear.
Art is either plagiarism or revolution.
Painting should never look as if it were done with difficulty, however difficult it may actually have been.
All music is is what awakes from you when you are reminded by the instruments.
Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.
"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.
That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
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