The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.
You either have commercial pressure or ideological pressure. I prefer commercial pressure; otherwise, you can be at the mercy of one or two idiots.
Interpretation
What this quote means
The quote suggests a preference for commercial challenges over ideological ones, highlighting the dangers of being influenced by a few misguided individuals.
Milos Forman's quote reflects the complexities of decision-making in creative processes, particularly in the arts and media. He emphasizes that commercial pressure, although challenging, can be more manageable compared to the unpredictability and potential harm of being swayed by a small number of individuals with extreme ideologies. The implication is that commercial demands often align better with broader audience expectations, while ideological pressures can lead to narrow-mindedness and conflict.
Themes
In practice
Example use cases
In a discussion about managing creative projects, this quote can highlight the importance of commercial viability.
More from Milos Forman
All quotes βA modern hero is very ambiguous. I went through some very rough times in Czechoslovakia - the occupation by the Germans at the end of the war. We had people going against their tanks with brooms. Are they nuts, or are they heroes?
Because if you lived, as I did, several years under Nazi totalitarianism, and then 20 years in communist totalitarianism, you would certainly realize how precious freedom is, and how easy it is to lose your freedom.
Mediocrity never goes away - but neither, I hope, do those who are willing to challenge it.
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Honestly, what can really be said about 'the Jewish people' as a whole? Is it not a lamentable stereotype to make large generalizations about all Jews, and to presume they all share the same political commitments?
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We used to look at each other and say, 'We play the same game with the same rules, the same bat, the same ball, the same field. What the hell does color have to do with it? You don't play with color. You play with talent.'