An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
The entire world of art has reached such a low level, it has been commercialized to such a degree that art and everything related to it has become one of the most trivial activities of our epoch.
Interpretation
Art has become overly commercialized and trivialized in today's society.
Marcel Duchamp's quote reflects a critical viewpoint on the state of contemporary art, suggesting that the commercialization of art has diminished its value and significance. He argues that in modern times, art has evolved from a profound expression of human experience to a superficial activity driven by market demands, ultimately leading to a loss of depth and meaning.
In practice
This quote can be used in an art criticism piece to discuss the impact of commercialism on artistic integrity.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
The urge to make art or contemplate philosophy does not go away when you are sick. Those urges just become transfigured by illness.
No sensible author wants anything but praise.
Acutely aware of the poverty of my means, language became obstacle. At every page I thought, 'That's not it.' So I began again with other verbs and other images. No, that wasn't it either. But what exactly was that it I was searching for? It must have been all that eludes us, hidden behind a veil so as not to be stolen, usurped and trivialized. Words seemed weak and pale.
To me, there are things you're good at and things you're not so good at. For some reason, I'm good at darker characters. It has to do with how you look.
Maurice Sendak never - I remember he said something that was very striking because it's something I never thought about. I always loved his work, and he said, 'I don't really view myself as a children's book author. I just try and write about childhood as honestly as I can.'
Where there is a woman there is magic. If there is a moon falling from her mouth, she is a woman who knows her magic, who can share or not share her powers. A woman with a moon falling from her mouth, roses between her legs and tiaras of Spanish moss, this woman is a consort of the spirits.
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