Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
Interpretation
What this quote means
David Lynch considers 'Eraserhead' to be a deeply spiritual film, despite it being misunderstood by many.
In this quote, David Lynch expresses his belief that 'Eraserhead' transcends typical film narratives and connects with deeper spiritual themes. He acknowledges that this perspective may not be universally understood, but it highlights his personal connection to the film as a profound exploration of existence and consciousness.
Themes
EraserheadSpiritualityArtFilmDavid Lynch
In practice
Example use cases
During a film discussion, one might reference this quote to highlight how personal interpretations of art can differ.
More from David Lynch
All quotes →You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
David LynchRead
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
David LynchRead
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
David LynchRead
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
David LynchRead
In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
David LynchRead
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There's a certain grain of stupidity that the writer of fiction can hardly do without, and this is the quality of having to stare, of not getting the point at once. The longer you look at one object, the more of the world you see in it; and it's well to remember that the serious fiction writer always writes about the whole world.
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My landscapes are not only beautiful, or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful.' By 'untruthful,' I mean the glorifying way we look at Nature. Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless, the total antithesis of ourselves.
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