You must be an artist and a citizen of the world. You must speak to this stuff that's happening. You must do what you can to shine a light on it, help people through it.
Leslie Odom, Jr.Read
To get even realer with you for a second, as a black actor, as a performer of color, I don't know how many more roles like Aaron Burr are gonna come along for me.
Interpretation
Leslie Odom Jr. reflects on the limited opportunities for actors of color in significant roles.
In this quote, Leslie Odom Jr. expresses the challenges faced by actors of color in finding substantial and meaningful roles in the entertainment industry. By specifically mentioning his role as Aaron Burr, he highlights how rare such opportunities are and underscores the broader issue of representation and diversity in film and theater, making a poignant statement about the systemic barriers that continue to exist.
In practice
In a discussion panel about diversity in the film industry, this quote serves to highlight the struggles of finding roles for actors of color.
You must be an artist and a citizen of the world. You must speak to this stuff that's happening. You must do what you can to shine a light on it, help people through it.
Oh, Alexander Hamilton fell short of his best self every now and again, and he still managed to do these wonderful things - well, so do I. So what am I capable of?
We're reminded yet again: we are stronger, we are smarter, we have more fun when we include each other - when we include as many perspectives as possible.
I grew up in Philadelphia in a time where we took it for granted that we were supposed to be young and gifted and black. It was a culture of excellence - and all my friends were more talented than I was.
It's still a political statement to stand on stage as a person of color and be excellent. We still need those images to combat the narrative we're often fed - as someone innately inferior or inexorably linked with lack.
Making a movie where the central character is a horse was a challenge. Because I'm scared of riding. I was thrown as a kid. One of my daughters is a competitive jumper, we live with horses, we have stables on our property. But I don't ride. I observe, and I worry.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
To create something from nothing is one of the greatest feelings, and I would - I don't know, I wish it upon everybody. It's heaven.
This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.
You should look straight at a film; that's the only way to see one. Film is not the art of scholars but of illiterates.
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