Even when the writing seems very frivolous, I'm puritanical. I don't mean my subject matter. It's that I'm almost pathologically incapable of leaving something when I'm not quite happy with it.
Interpretation
The quote expresses the author's dedication to quality in their writing, suggesting that they cannot leave a piece unfinished if they are not satisfied with it.
Tom Stoppard's quote highlights the importance of diligence and perfectionism in the creative process. Even when the subject matter may seem light or unimportant, the commitment to craft and quality remains paramount. This suggests that true artistry lies not just in the content, but in the relentless pursuit of excellence in the execution, reflecting a deeply ingrained sense of responsibility towards one's work.
In practice
In a speech about the writing process at a literary festival.
Love is - OK, it's 20 things, but it isn't 19. And I think that love reaches for something which is very, very deep in us and is very easily obscured, and is also very easily denied, which is the instinct towards the other person, other than toward the self.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I once did a radio program with a famous materialist, that is to say a scientist who believed that absolutely everything was physical and that all emotions were reductive to little electrical impulses in your neurons. And I found that I didn't believe that. But what the emotions really are, I don't have an alternative theory.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
A Chinaman of the T'ang Dynasty—and, by which definition, a philosopher—dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
When I stand and contemplate my fate and see the path along which you have led me, I reach my end, for artless I surrendered to one who is my undoing and my end.
As a writer, I tend to be drawn to marginal people - writers, poet-prophets, seers, eccentrics - who embody the deeper ambivalences of their societies and bear deeper witness to their world than the famous figures we are used to celebrating, or demonizing, in our histories.
All the stuff I love most in game storytelling is never the big-picture stuff; it's the stuff that feels like curlicues, stuff that's just there because it's a game and because you can do it.
The light constantly changes, and that alters the atmosphere and beauty of things every minute.
Believe me... I've made a career out of being the right thing in the wrong space and the wrong thing in the right space. That's one thing... I really do know about.
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