I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
Interpretation
The quote expresses the pain of exposing one's work to criticism, prompting a desire to create solely for oneself.
Virginia Woolf reflects on the emotional turmoil that comes with sharing one's writing. She laments the anguish inflicted by criticism from others, which makes her reconsider the value of seeking external validation. This quote captures the struggle of artists who yearn for praise yet dread the harsh judgment that often accompanies their work.
In practice
This quote can be shared in a writing workshop to inspire participants to embrace their authentic voice.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,” said Louis. “Death and again death.”)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
Perhaps one of the most difficult things for us to do is to choose a notable and joyous dress for men. There would be more joy in life if we were to accustom ourselves to use all the beautiful colours we can in fashioning our own clothes.
Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Street art, of course, is political, because it's illegal, so the very act of doing it is an act of defiance.
Fundamentally, I think of myself as a storyteller, not a writer.
Typography is the craft of endowing human language with a durable visual form, and thus with an independent existence. Its heartwood is calligraphy - the dance, on a tiny stage, of the living, speaking hand - and its roots reach into living soil, though its branches may be hung each year with new machines. So long as the root lives, typography remains a source of true delight, true knowledge, true surprise.
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