I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
Interpretation
The quote expresses the pain of exposing one's work to criticism, prompting a desire to create solely for oneself.
Virginia Woolf reflects on the emotional turmoil that comes with sharing one's writing. She laments the anguish inflicted by criticism from others, which makes her reconsider the value of seeking external validation. This quote captures the struggle of artists who yearn for praise yet dread the harsh judgment that often accompanies their work.
In practice
This quote can be shared in a writing workshop to inspire participants to embrace their authentic voice.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,” said Louis. “Death and again death.”)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
Who knows if the moon's / a balloon, coming out of a keen city / in the sky - filled with pretty people?
I practiced drawing all the time and became very interested in it. If I was at a meeting that wasn't getting anywhere - like the one where Carl Rogers came to Caltech to discuss with us whether Caltech should develop a psychology department - I would draw the other people.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
When I listen to 'Nevermind,' I hate the production, but there's something about it that almost makes me cry at times.
Couldn't imagine any other way of living, outside of books, outside my work. Which doesn't mean I am not interested in other things, of course - I am interested in many things. But the center, the crux, is always literature.
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