Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Frank GehryRead
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Interpretation
Every day presents new challenges that provoke self-doubt, akin to starting anew.
In this quote, Frank Gehry reflects on the nature of creativity, emphasizing that each new project brings about feelings of insecurity and the unknown. He acknowledges that if he were fully certain of his path, the spontaneity and excitement of creation would be lost, suggesting that the uncertainty is an integral part of the artistic process.
In practice
These words can inspire students in an art class struggling with their projects.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Your best work is your expression of yourself.
My only extravagance in life is my sailboat. I'm bonkers about that, but other than that, I don't spend money on myself.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
I don't know why people hire architects and then tell them what to do.
My mother said to me, 'If you are a soldier, you will become a general. If you are a monk, you will become the Pope.' Instead, I was a painter, and became Picasso.
My view of actors is that basically they're all harmless lunatics who'd be on the psychiatrist's couch, except that we get this sort of catharsis every six months or so, and we go and be absolutely someone else.
The picture is in your head, in your imagination, everything.
And it was the idea that you can do a play - like a Shakespeare play, or any well-written play, Arthur Miller, whatever - and say things you could never imagine saying, never imagine thinking in your own life.
If you're not ready to do a non-stop dialogue with fashion, you should do another job.
I was obsessed with the idea that no two sounds on 'Oxygene' should ever be exactly the same. I wanted a heartbeat feel, something human.
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