The function of a book or a poem or a story is to delight, to enchant, to beguile.
Philip PullmanRead
Every government secretary of state or minister should jolly well go to the theatre, go to a concert, go to an art gallery, go to a museum, become somehow interested in these things. If they're not interested, they shouldn't be in government, full stop.
Interpretation
Engagement with the arts is essential for those in government roles.
Philip Pullman emphasizes the importance of cultural engagement for government officials, suggesting that an appreciation for the arts is crucial to understanding and serving the public effectively. He argues that if leaders lack interest in cultural pursuits such as theatre, music, and art, they are unfit for their roles in governance.
In practice
During a speech on cultural funding, a politician might cite this quote to emphasize the need for leaders to engage with the arts.
The function of a book or a poem or a story is to delight, to enchant, to beguile.
Education and health were always matters of charity. You educated children and you helped the sick because they were good things to do, not because you were going to make money out of them. If you let the money-making principle, the profit-seeking motive, anywhere near education and health, things go bad.
To get the best out of life here ...Good grief. There's plenty of it about, so indulge. Give yourself some thing to remember. Fall in love. Fall out of love. Gamble. Get drunk. See how long you can stay awake. Go for long walks at night. Discover what you're afraid of doing, and then do it.
People should decide on the books' meanings for themselves. They'll find a story that attacks such things as cruelty, oppression, intolerance, unkindness, narrow-mindedness, and celebrates love, kindness, open-mindedness, tolerance, curiosity, human intelligence.
I told him I was going to betray you, and betray Lyra, and he believed me because I was corrupt and full of wickedness; he looked so deep I felt sure he'd see the truth. But I lied too well. I was lying with every nerve and fiber and everything I'd ever done...I wanted him to find no good in me, and he didn't. There is none.
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
It’s not a lie. It’s a gift for fiction.
You can't read to yourself. It's your inner ear that hears a poem. If you hear a poet read his own work, it becomes very exciting. The melody is a great part of it.
Now I realize that from '72 through to about '76, I was the ultimate rock star. I couldn't have been more rock star.
To wake the soul by tender strokes of art, To raise the genius, and to mend the heart; To make mankind, in conscious virtue bold, Live o'er each Seene, and be what they behold: For this the Tragic Muse first trod the stage.
What I do is unusual: chordal movements that have never been used before, changing keys and modalities mid-song.
I have come to the conclusion there is no point making anything if you're not going to make people laugh and cry.
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