As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
Where every something, being blent together turns to a wild of nothing.
Interpretation
This quote implies that when various elements are mixed without purpose, they can lead to chaos or insignificance.
William Shakespeare's quote reflects on the idea that when different components or ideas are combined without intention or clarity, the resulting outcome can become disordered and devoid of meaning. It suggests that there is a delicate balance in the way we blend our thoughts, actions, and influences, cautioning against the chaotic amalgamation that leads to a loss of significance and purpose.
In practice
In a discussion about teamwork, one might say, 'Remember Shakespeare's reminder that without purpose, our efforts can turn into chaos.'
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Beauty is no quality in things themselves: It exists merely in the mind which contemplates them; and each mind perceives a different beauty.
Science is nothing but perception.
Creating without claiming, Doing without taking credit, Guiding without interfering, This is Primal Virtue.
But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.
It is safest to grasp the concept of the postmodern as an attempt to think the present historically in an age that has forgotten how to think historically in the first place.
But Philip was impatient with himself; he called to mind his idea of the pattern of life: the unhappiness he had suffered was no more than part of a decoration which was elaborate and beautiful; he told himself strenuously that he must accept with gaiety everything, dreariness and excitement, pleasure and pain, because it added to the richness of the design.
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