It's foul what this money could do, cash corrupts the loyal.
NasRead
Every time I get in the studio, I feel like I wanna have some fun. My fun is not doing the easy work. My fun is doing what's me.
Interpretation
The quote emphasizes the joy of engaging in authentic creative expression rather than opting for conventional or easy paths.
In this quote, Nas expresses that his enjoyment in music comes not from taking the easy route but from embracing his true self and pursuing what feels genuine to him. He highlights the importance of passion in art and creativity, suggesting that true fulfillment comes from being authentic and challenging oneself creatively, rather than compromising for the sake of convenience or conformity.
In practice
This quote can be used in a motivational speech about pursuing your dreams in the arts.
It's foul what this money could do, cash corrupts the loyal.
It's a thin line between paper and hate,_x000D_ _x000D_ Friends and snakes, nine millis and thirty-eights,_x000D_ _x000D_ Hell or the pearly gates...I was destined to come,_x000D_ _x000D_ Predicted, blame God, He blew breath in my lungs.
I pledge allegiance to the fair and balanced truth._x000D_ _x000D_ Not the biased truth,_x000D_ _x000D_ Not the liest truth,_x000D_ _x000D_ But the highest truth.
If you scared to take chances, you'll never have the answers...
I don't respect killers, I respect O.G. knowledge,_x000D_ _x000D_ Codes of the streets got new rules, but no guidance._x000D_ _x000D_ Lessons, detrimental to a young disciple;_x000D_ _x000D_ Folks, take care of your brothers, niggas do as I do._x000D_ _x000D_ Keep your enemies close, where they can see you._x000D_ _x000D_ It's not your enemy who get you, it's always your own people.
I rap for listeners, blunt heads, fly ladies and prisoners
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
The art of a people is a true mirror to their minds.
There's always been a separation between fashion and what I call my 'deeper' work. Fashion is where I make my living. I'm not knocking it. It's a pleasure to make a living that way. It's pleasure and then there's the deeper pleasure of doing my portraits. It's not important what I consider myself to be, but I consider myself to be a portrait photographer.
The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'
In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.
I find that the only way to make my characters really interesting to children is to exaggerate all their good or bad qualities, and so if a person is nasty or bad or cruel, you make them very nasty, very bad, very cruel. If they are ugly, you make them extremely ugly. That, I think, is fun and makes an impact.
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