I will be dying and so will you, and so will everyone here. That's what I want to explore. We're all hurtling towards death, yet here we are for the moment, alive. Each of us knowing we're going to die, each of us secretly believing we won't.
Interpretation
This quote reflects on the inevitability of death and the human tendency to overlook it while living.
Charlie Kaufman's quote delves into the profound realization that all individuals are ultimately bound to face death. It highlights the paradox of being acutely aware of our mortality while simultaneously living as if we are invulnerable, encouraging a deeper exploration of life and our connections with others in the face of this universal truth.
In practice
In a speech about the importance of living in the moment, one might include this quote to illustrate the urgency of embracing life.
When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?
I think if I've worked anything through with screenwriting it's that I'm not going to be able to work anything through.
The world needs you. It doesn't need you at a party having read a book about how to appear smart at parties - these books exist, and they're tempting - but resist falling into that trap. The world needs you at the party starting real conversations, saying, 'I don't know,' and being kind.
There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.
We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.
It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
My feeling is that the hero has now been defined by phrases like the odious one that we were all raised with - crimes does not pay. Of course it pays, you schmuck. That's not why we don't do it. We don't do it because it is wrong.
Is this the curse of modernity, to live in a world without judgment, without perspective, no context for understanding or distinguishing what is real and what is imagined, what is manipulated and what is by chance beautiful, what is shadow and what is flesh?
A man who has work that suits him and a wife, whom he loves, has squared his accounts with life.
pg.9 "In my heart there's a peaceful anguish, and my calm is made of resignation.
The lunatic, the lover, and the poet, are of imagination all compact.
The age of Chivalry is gone. An age of Humanity has come.
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