I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Lin-Manuel MirandaRead
Everything we know about Hamilton, we knew when he was alive, because he told us.
Interpretation
This quote reflects on how Hamilton's legacy and experiences were shaped by his own words and storytelling.
Lin-Manuel Miranda emphasizes the importance of self-expression and narrative in the legacy of Alexander Hamilton. It suggests that the information and persona we have of Hamilton are directly derived from his own descriptions and the life he lived, highlighting the role of art and storytelling in preserving history.
In practice
In a presentation about the importance of art in history, this quote can highlight how artists shape our understanding of figures from the past.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
You know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
Making words rhyme for a living is one of the great joys of my life... That's a superpower I've been very conscious of developing. I started at the same level as everybody else, and then I just listened to more music and talked to myself until it was an actual superpower I could pull out on special occasions.
I think black people have to be in control of their own image because film is a powerful medium. We can't just sit back and let other people define our existence.
In art as in lovemaking, heartfelt ineptitude has its appeal and so does heartless skill, but what you want is passionate virtuosity.
I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's.
There really is no such thing as art. There are only artists.
If I don't write to empty my mind, I go mad. As to that regular, uninterrupted love of writing. I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
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