Everything we see in the world is the creative work of women.
Interpretation
This quote emphasizes the vital role of women in contributing to creativity and culture in society.
Mustafa Kemal Ataturk's quote highlights the significant and often overlooked impact that women have on the creative aspects of the world. It acknowledges that all elements of art, culture, and invention we encounter are shaped by the hands and minds of women, celebrating their contributions to humanity and encouraging recognition of their vital role in creative fields.
In practice
This quote could be used in a speech celebrating women's achievements in the arts.
Would not obeying to my mother's warnings, who is at least 25 years older than me, be returning to the past? And rebelling against her would mean ruining my mother's, who, I am convinced that, is a virtuous high woman, heart and evaluations. I do not find this right, either.
I have no religion, and at times I wish all religions at the bottom of the sea. He is a weak ruler who needs religion to uphold his government; it is as if he would catch his people in a trap. My people are going to learn the principles of democracy, the dictates of truth and the teachings of science. Superstition must go. Let them worship as they will; every man can follow his own conscience, provided it does not interfere with sane reason or bid him against the liberty of his fellow-men.
God is my witness that up to now, my only aspiration in life is to be a useful element within the army! I have for long been convinced that, to safeguard the country and give happiness to the people, it is necessary first of all to prove once more to the world that our army is still the old Turkish army.
The necessary thing for anyone to be happy and contented as long as he lives is working for the ones who will come after him rather than working for himself... One can reach the true delight and happiness in the life only by working for the existence, honor, and happiness of the future generations.
On the meeting point of two worlds, the ornament of Turkish homeland, the treasure of Turkish history, the city cherished by the Turkish nation, Δ°stanbul, has its place in the hearts of all citizens.
A nation which makes the final sacrifice for life and freedom does not get beaten.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
Why did I write? whose sin to me unknown_x000D_ _x000D_ Dipt me in ink, my parents', or my own?_x000D_ _x000D_ As yet a child, nor yet a fool to fame,_x000D_ _x000D_ I lisp'd in numbers, for the numbers came.
I can come up with 30 T-shirt designs in a day, but it's just about where to slot each of them. That's streetwear to me. It's about knowing where to buy things, not this mass thing you can get anywhere.
For me, the original play becomes an historical document: This is where I was when I wrote it, and I have to move on now to something else.
A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.
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