My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
If you know exactly what you're going to do, what's the good in doing _x000D_ it?
Interpretation
The quote emphasizes the value of spontaneity and creativity in artistic expression.
Pablo Picasso's quote suggests that if an artist or creator has a predetermined plan or outcome, it diminishes the essence of the creative process. True creativity often comes from exploration and the unexpected, allowing for genuine expression rather than merely executing a set vision.
In practice
Use this quote in a workshop about creative thinking to encourage participants to embrace spontaneity.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more.
Time, which despoils castles, enriches verses.
Music that is born complex is not inherently better or worse than music that is born simple.
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list.
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