Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
Seamus HeaneyRead
The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
Interpretation
This quote expresses Seamus Heaney's rejection of experimental poetry and avant-garde styles in favor of traditional forms.
Seamus Heaney articulates his stance against experimental poetry, identifying it as a movement that he does not align with or appreciate. He highlights the avant-garde's tendency to subvert conventional poetry, suggesting that his own style is rooted in more traditional, established forms of poetic expression. This statement encapsulates the tension between different artistic movements and the personal preferences of an artist.
In practice
In a literary debate about modern versus traditional poetry styles.
Anyone with gumption and a sharp mind will take the measure of two things: what's said and what's done.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.
The kinds of truth that art gives us many, many times are small truths. They don't have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I think that water is immediately interesting. It's just, as an element, it is full of life. It is associated with origin; it is bright - it reflects you.
When you work as an actor, you've got to feel safe even in what appears to be the simplest things.
I was attracted by the curve β the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.
I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it.
All great films are a resolution of a conflict between darkness and light. There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art.
The smell of good bread baking, like the sound of lightly flowing water, is indescribable in its evocation of innocence and delight... [Breadmaking is] one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with one of the world's sweetest smells... there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel. that will leave you emptier of bad thoughts than this homely ceremony of making bread.
The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.
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